High Fidelity captured the snob’s—and the soundtrack’s—waning powers

“What really matters is what you like, not what you are like,” John Cusack’s Rob Gordon declares midway through High Fidelity, an admission the obsessive, self-obsessed record collector preemptively defends with, “Call me shallow, but it’s the fucking truth.” In Stephen Frears’ film—as in Nick Hornb
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