Steven Spielberg frequently views the future as an end of one chapter, and the beginning of another. It never collapses into apocalypse – the Earths transcends its limitations, or transforms into a new state of sustainability. Think of the blissful coda of Close Encounters of the Third Kind, in which aliens flying away into the infinite cosmos isn’t a depiction of terror, but a comfortable acknowledgement of the unknown. Or ponder Jurassic Park’s ending: sublimely letting go of science’s bombardment against ethics.
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