Park Chan-wook’s adaptation of Sarah Waters’ novel Fingersmith, relocated to 1930s Korea, is an erotic triumph – with a whiplash twist. By Peter Bradshaw.
Read more: https://www.theguardian.com/film/2017/apr/13/the-handmaiden-review-park-chan-wook?CMP=twt_a-film_b-gdnfilm?source=Snapzu
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